Quiet morning practice

our
approach to practice.

The word ritual comes from the Latin ritus — a way of doing something that has meaning. Not every class needs to be a ritual. But every practice can be, if you bring something to it besides your body.

At Sōl, we practice without mirrors. Not because we're precious about it, but because mirrors teach you to compare. We already do enough comparing. We don't play music in most classes because music fills silence, and we have learned to be uncomfortable with silence. We're trying to get better at that.

yoga is not a performance. it's an inquiry. the question is always the same: what is here right now?

We cap every class at eight people. If you've practiced in large studios, this will feel strange at first. You'll get feedback you haven't asked for. The teacher will notice if you're holding your breath. This is the point.

We use sliding scale pricing because the practice should be available to people at different moments in their financial lives. There is no hierarchy among the tiers. Everyone is in the same room, on the same floor, doing the same thing.

what guides us

the principles.

— one

smallness is not scarcity

Eight students per class is a design decision, not a limitation. Attention is finite. A teacher can hold space for eight people. They cannot hold it for forty.

— two

silence is productive

We are not afraid of quiet in class. You will sometimes be in a room with seven other people and the only sound is breathing. This is the practice.

— three

the body is not a project

We are not here to improve you. You are not broken. The practice is a way of listening to what is already there — not a method for achieving a better version.

— four

access matters

Sliding scale pricing, ramp access, chairs and bolsters always available. Yoga does not belong to people who can afford expensive mats and yoga pants.

Maja, founder of Sōl Studio

Maja Lindqvist,
founder.

I started practicing in my early twenties to manage anxiety. It worked, imperfectly and slowly, in the way that most things that work do. I became a teacher because I wanted to offer something more honest than what I'd found in most studios — which was a performance of wellness rather than a practice of it.

I trained in Mysore, studied somatics in Berlin, and spent two years at a Yin teacher training programme in London before opening Sōl in 2019. I have been practicing for 14 years and I still do not know what I'm doing, which seems like the right amount of not-knowing.

— Maja

This is a Völlmin demo — Natural & Organic style.

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